The album is a sensory delight from start to finish. This allows Van complete freedom to focus on his soulful, stream-of-consciousness lyrical delivery, the results of which are sublime on giant masterpiece tracks such as “ Madame George”, “ Astral Weeks” and “ Cyprus Avenue”. That these tracks were, by and large, borne of freeform sessions, is testament to the quality of the musicians on-board. Davis brought in his own supporting cast – at all times throughout this LP the synergy between the players is uncanny, most notably with flutes that could charm a king snake out of a chicken farm and a double bass which, without fail, seems to find just the right supporting notes at just the right time. Its one of those albums you can listen to in its entirety and once its finished, put the stylus back to the beginning and listen to it all over again. Dominic’s Preview somehow seems newly seminal, as though Van were finally capable of a conception that might transcend. Dominic’s Preview, writing, At a distance of three years, St. He had a background in jazz, and his first port-of-call was veteran bassist Richard Davis – an inspired move. Dominic’s Preview Following the critical darling Astral Weeks, and three more successful LPs including Moondance, in the October issue of CREEM, Dave Marsh reviewed Morrison’s 1972 album St. ![]() Warner Bros assigned producer Lewis Merenstein to the project. After having been “tricked” into his first album last year, the Belfastian delved headlong into the mystic with this beguiling, dreamy, acoustic-based folksy extravaganza – closest yet to the album that he’d always wanted to make.
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